![]() But there is still one thing missing – Schilling has never had an independent class of students in any kind of art school. He has directed theatre, opera, and circus performances he has worked as a playwright and a creative mentor and his works have been acclaimed at world-renowned theatre festivals. It seems like in his 30 years of professional experience, Hungarian theatre director Árpád Shilling has already done everything. LMTA Department of History and Theory of Art Paper proposals in English (250–300 words) and a short biography (200 words) is expected by Jand can be submitted here: BalticFilmConference2023.Īpplicants will be notified of acceptance/nonacceptance by July 7, 2023. ![]() The conference proceedings will form the basis for a thematic issue of the academic journal Studies in Eastern European Cinema. PhD Lina Kaminskaitė and PhD Ilona Jurkonytė committee and coordinators: PhD Eva Näripea, PhD Zane Balčus, Mantė Valiūnaitė, Vitalij Binevič, Ona Kotryna Dikavičiūtė. Decolonial methodologies in cinema and media studies.įor queries regarding submissions, please contact conference organisers:.Decolonizing the urban space in/through film and media.City and securitization discourse in film.Security cameras in public and private urban spaces.Film archives as urban infrastructures.Urban representations of disasters, war and conflict in film.Digital city and city as a global film-set.Role of film festivals in film and urban cultures. ![]() Film exhibition infrastructure, cinemas in cities, audiences and distribution practices in cities.Screen cultures in public and private urban spaces.Home in the city – cinematic representation of public and non-public spaces.Urban place and space in audiovisual media.Urban soundscapes in audiovisual media.Urban visions and visualizations in moving image, urban architecture in audiovisual media. ![]() Cinematic urban genres, tropes and narratives.Possible topics may include, but are not limited to: We welcome papers from researchers across the academic spectrum as well as inter/transdisciplinary engagements and encourage papers from scholars focusing on both cinema history, contemporary film, media cultures, Baltic Sea region related topics and beyond. The goal of this conference is to bring together researchers who are interested in cinema, media studies and the cross disciplinary approach of film (moving image, home movies, performing arts, etc.), audiovisual media (TV, video games) and city (urban studies, architecture, geography, art, literature, etc.). By now it is widely accepted that cinema is a particularly spatial form of media which both organizes the spatial imaginaries inside the frame and at the same time actively renders the space through film production, distribution, and exhibition. The crucial changes in moving image technology (digital turn) and global urbanization, brought the remarkably productive spatial turn into cinema studies. The contemporary urban and cinema studies demonstrate how productive such interdisciplinary approaches are. However, today when we think about moving image and a city, we also think about a pixel and forms of data representation, digital and global interconnections. Historically, cinema’s connections with the city have been referred to as chemistry between “celluloid and asphalt.” In classical film studies, both the city and cinema have been analyzed through frameworks of modernity. The conference engages with questions of representation, distribution, exhibition and audience, as well as intersections of urban, cinema and media studies. City, Cinema, and Media (the 8th edition of the Baltic Sea Region Film History Conference) focuses on the cinema and urban space. As we witness the new forms of audiovisual mediation enter our public and private spaces, the conference invites the researchers to collectively reflect about them. Mantas Kvedaravičius and Hanna Bilobrova, 2022) capture urban experiences from a personal perspective. Waad Al-Kateab, 2019) and Mariupolis 2 (dir. In the light of global processes, such as climate change, militarization, and geopolitical reshufflings, a city is both a backdrop and an active participant in ever-evolving ways of mediating the transformation of conditions for human and non-human dwellers. Partners: Film Archive of the National Archives of Estonia, Latvian Academy of Culture, Vilnius City Municipality Organizer: Lithuanian Academy of Music and Theatre, Lithuanian Culture Research Institute, Media Education and Research Centre “Meno avilys” Call for papers: Baltic Sea Region Film Conference City, Cinema, and Media (Vilnius, Lithuania)Ībstract/Panel submission deadline: June 23, 2023
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